High Point Interior Designers Transform A Pinehurst Golf Rental Home, Creating A Luxury Resort Experience

September 25, 2014

Ever stayed at an incredible vacation destination and wondered how that beautiful home you enjoyed came to be? It’s not by happenstance. A home like that which is layered in well thought out details, with a heightened focus on making renters feel special and at ease – not only is it a nice backdrop for a great vacation, it’s also the work of someone with a special kind of design talent. North Carolina Design recently chatted with one such designer – Christi Barbour of Barbour Spangle Design – about such a project. Christi shares today about a beautiful whole house transformation that the High Point design firm completed in Pinehurst prior to the start of the 2014 PGA US Open.

Images Courtesy of Barbour Spangle Design ©

Barbour Spangle Design was called upon by the homeowners a year before the PGA event was coming to Pinehurst. Unlike many design projects, the homeowners did not live in the home. “This is actually a rental in Pinehurst. Our client said that she wanted this to be a special home for people to enjoy when they came to Pinehurst as a destination for golf and events,” Christi explained. “They also have a very large family – 5 adult children and a lot of grandchildren. This home would also provide additional space for their family when they all meet in Pinehurst for reunions and such.”

While the home had great potential, it lacked a real identity and did not provide a cohesive flow. “Our client bought the house furnished and then added things of her own that she had in storage, wanting to make it a comfortable place for people to rent,” noted Christi. “Still, the home fell short in providing social entertaining areas and did not have a good flow to it. It had a wonderful great room that had been added on but had an unfinished look about it. And while the home had 4 bedrooms and baths, it had no powder room. “

Every room in the house was updated, a powder room was added, and a neutral palette was carried throughout. This was intentional because there was so much color in the home before. “We pulled together a design concept that was much more clean and neutral and she just fell in love with it.” Christi affirmed. “We took inventory of the furniture that was there and other things our client personally owned, and did a floor plan to tag in pieces we wanted to utilize. By painting and refinishing pieces of hers, very little case good furniture was bought. Just by making the best use of what our client already had, it personalized the home and made it feel like it’s hers.”

“The people who own this are big golfers themselves and it was important to them that we create an enjoyable experience for those who come and use this home. So, our design staff had discussions about what happens at the end of your day when you come off the golf course. What do you want to do?” Whether the renters for the week were men or couples, Barbour Spangle Design considered every angle in creating a design plan – a large table for guys to sit around and play cards and talk about golf as well as spaces for mingling and dining throughout.

One of the things that was important for Christi and the design staff at Barbour Spangle Design was creating seating areas that were flexible for the types of people who were using the home. “If it was a small group, there were smaller areas. If it was a large group, it could be configured for them,” said Christi. “If they wanted to dine in there, they could. We worked to create the sized spaces that could accommodate the experiences of the group. That was one of the goals of the project.”

Usually when a designer works on a project, their input specifically comes from the client. In order to make this project a success, Barbour Spangle Design also sought direction from the rental company. “We contacted the rental company and said, ‘if you could do anything or request anything based on what your renters ask for, what would it be?’ If the homeowner was going to invest the money in doing a renovation, we felt we really ought to make it exactly what people are looking for, therefore increasing the opportunity to rent,” explained Christi.

A warm and welcoming home ensued that is filled with thoughtful touches that made all the difference in the world to the client and will continue to do so for all who stay in the home for years to come.

Landscape Design – The Quintessential Element Transforming The Exterior Of A House Into A Warm & Welcoming Home

September 23, 2014

When it comes to the “little black dress,” every woman understands the importance that pearls play in completing the overall look. Landscape design accomplishes that same goal for the exterior of a home. It transforms what was once a house into a warm and welcoming home, perfectly complementing the the beauty of the architecture. Our guest blogger today is Carole Joyner of Joyner-Benfield Distinctive Land & Waterscapes in Charlotte. Carole takes North Carolina Design readers through a recent project, detailing what was involved in realizing its full potential.

Landscaping is an essential element in achieving a home’s finished look. When I saw the plans for this home, I immediately saw the landscape design I wanted to implement and set about the task of doing so.

BeforeImages Courtesy of Joyner-Benfield Distinctive Land & Waterscapes ©

The home sits close to the adjoining property, with glorious windows in the dining room that look directly onto the neighbor’s home and are on ‘axis’ from the front door. Being shaped, Tea Olives were the perfect plant to soldier down the right side foundation with 5 set in center of the dining room windows, and the others on center of bedroom and kitchen windows. The Tea Olives were tree-shaped for a stylized look.


The front entrance comes off a gravel/pebble courtyard to the left elevation of the home. It was very important to enhance the architectural lines on the entrance as being off set, not front and center. I designed the courtyard to be denoted with 4 American Hornbeams.

Cherry Laurels were planted on center of the front door across the courtyard for privacy. American Boxwoods are at each corner and the front entrance foundation. Pachysandra serves as the ground cover.

Providing vertical detail for the street front of the home are European Hornbeams.

For the added interest, we espaliered 2 Confederate Jasmines – one very large diamond design on the garage wall and one smaller design on the Veranda Chimney.

A small herb garden was planted at the base of the chimney – perfect for right outside the kitchen area.

European Hornbeams flanked the front to façade.

Again, more vertical was needed for the introduction of the home. Zelkova Ailee was used along the pebble driveway in an alternate fashion.

The owner wanted privacy. I designed a greenscape wall of Ligustum around the front perimeter of the property.

The Ligustum will be hedged as a wall as they mature. Irrigation was installed, sod was laid, and uplighting was installed on the American & European Hornbeams & Zelkovas. Also, an uplight for a future art piece was installed outside the dining room window.

The crew did an outstanding job working around building contractors, rain and a very difficult drainage problem that was solved with great drainage systems.



We are very proud of the finished landscape design and landscape product! I don’t think the clients wanted us to leave! That speaks volumes!

Aha… The Difference Between Traditional Kitchens & Transitional Kitchens Finally Explained!

September 10, 2014

While the rich beauty, history and charm of traditional kitchens have made them enduringly popular with North Carolina homeowners, many people are shifting their attention to the clean and streamlined styling that transitional kitchens have to offer. North Carolina Design wanted to know – what it is that truly defines traditional and transitional kitchens? To find out, we talked to talented and knowledgeable Charlotte kitchen designer Jeneane Beaver of Walker Woodworking. Walker Woodworking is a family-owned team of skilled craftsmen and designers, known for their exceptionally crafted custom cabinetry.

Images Courtesy of Walker Woodworking ©

“Traditional kitchens are warm and classic in their look, and they have elements of English and French styles,” she explains. “They also have a lot of carvings and other ornate details that make them feel like a more handcrafted space. Traditional cabinetry features raised panels and heavy mouldings, and the cabinets tend to be staggered at different heights. Kitchen islands tend to have heavy detailing, heavy corbels and legs.”

Traditional kitchens also tend to be colorful – in a subdued way. “We use a mix of colors for traditional kitchens, but in muted tones,” Jeneane notes. “If we use green it’s a soft green. You won’t see anything bold or over-the-top.”

Natural elements play a big part in traditional kitchens. “Almost every aspect of a traditional kitchen has a natural element to it,” Jeneane affirms. “You’re likely to have a cobbled stone or natural stone backsplash, as well as natural stone or wood floors. The appliances are typically integrated into the design with wooden appliance panels so that the stainless steel is hidden. And the wood cabinetry and flooring in traditional kitchens tends to be stained in natural wood tones.”

In contrast to the highly decorative style of traditional kitchens, transitional kitchens focus more on a clean, streamlined appearance. “Transitional kitchens have very few ornate details and very few carvings,” says Jeneane. “The cabinets have a more European look, and tend to feature a frameless build method in which you see none of the box, just the drawer and door fronts. The cabinet heights aren’t staggered; they tend to be at one height all around the room.”

You are likely to find a more limited color palette in a transitional kitchen than you would in a traditional kitchen. “Transitional kitchens tend to feature neutral colors, and finishes tend to be either very dark or very, very light,” Jeneane affirms. “Backsplashes and countertops have less color, less movement and a cleaner look.”

Jeanene notes that transitional kitchens tend to have a bit more of a sleek, industrial feel than traditional kitchens. “Transitional kitchens do have some natural elements, but they also feature man-made elements that give them industrial ties. You’ll see more ceramic and glass, as opposed to natural stone, and exposed stainless steel, rather than integrated appliances.”

Jeneane appreciates both kitchen styles, but her own personal preference leans toward transitional. “I like some of the embellishments and mouldings in traditional style kitchens, and I like the staggered cabinet heights, but I do prefer a more transitional look for my own kitchen. My kitchen has simple cabinetry in a dark finish, a more contemporary glass mosaic backsplash tile, and simple granite countertops without a lot of movement. There’s something about a cleaner, simpler style that just really appeals to me.”

How Designers Unlock A Client’s Vision Of Their Home

September 5, 2014

Designers work tirelessly to understand their clients’ goals so that they can give them the home they’ve always dreamed of. However, clients are not always sure of what they want or need – and figuring it out can be more difficult than it seems. No one knows this better than Greensboro interior designer Jessica Dauray of Elements of Style Interiors. Jessica sat down with North Carolina Design and shared how her years of experience as a designer help her dig below the surface and hone in on the best way to assist her clients in achieving the perfect space.

Images Courtesy of Elements of Style Interiors ©

“A major part of my job is figuring out what works for my clients aesthetically and functionally,” Jessica notes. “If your home is not functional for you and your family, it’s a failed effort. I find that part of the equation is helping clients realize how they actually live in their home, as opposed to how they think they should live in their home. We want a result that’s both beautiful and user-friendly – not something that necessarily conforms to the conventions we’ve all grown up accepting. We all have families, dogs, lives – we don’t live in museums.”

Jessica finds that it can take some probing to get clients to break through their ideas of how they should use a space and own up to how they really live. “With the right questions, eventually the juicy tidbits come out,” she affirms. “You might confess that on Sunday night you like to watch Downtown Abbey and take baths. Well, great, we’ll position your tub so you can see the TV. Now your bathroom is your special haven.”

“One of my clients was an in-home tutor who admitted that she didn’t really use her dining room,” Jessica recounts. “We made that space into a beautiful, relaxed sitting room and workroom that would be comfortable for the kids, and allow her to get down on their level, chat with them, and spread out her materials. We outfitted an armoire with sheers and put filing cabinets underneath, behind closed doors. This gave her storage for her tutoring materials, and helped create a space that was functional for her needs, yet didn’t look ‘school-ish.’”

Another of Jessica’s clients admitted that she liked to pay her bills in her bedroom while she watched TV. “We created the perfect space for her right next to her bed,” Jessica explains. “We used these very pretty, light and airy nightstands that accommodated her paperwork, but didn’t look like filing cabinets. They had pullout shelves that would hold her iPad, so she could use it comfortably while she caught up in her favorite shows.”

When it comes to discerning a client’s preferred style, Jessica relies on her intuition and her experience. “I understand what information I need to gather to make the space work for them,” she explains. “I find that my clients are generally very consistent in what they like. As we go through all the different options, I watch their reactions. If they see something they like, I think what do they like about it? Is it the soft lines? The texture? The pattern? After doing this for so long, it’s very rare that I don’t nail it.”

Working to understand her client’s wants and needs is one of Jessica’s favorite parts of the job. “I love unlocking a client’s unique signature style and figuring out what’s going to be special and work for them. It’s fun. It’s creative. And it’s so rewarding to see them have their dreams realized.”

The Beauty And Artistry Of Decorative Plumbing

August 25, 2014

The beauty of plumbing fixtures has come a long way from the utilitarian days when function always won out over form. Today they have become a wonderful way to add functional artwork to kitchens and baths. To find out more about the interesting details of some of these special and unique offerings, North Carolina Design spoke to Ed Burleson of Guilford Plumbing Supply in Raleigh. A second-generation business, Guilford Plumbing has been a respected source for quality plumbing fixtures since 1975, and Ed has been involved in the business for over 20 years.

Images Courtesy of Guilford Plumbing Supply ©

Ed recognizes that once in a while, a product line comes along that features exceptional, one-of-a-kind artistry – and knows it must have a place in the Guilford Plumbing Supply showrooms. Native Trails is one such collection. According to Ed, the company was developed by CEO Naomi Neilson Howard, with a focus on sustainability, while product design mixes a contemporary look with ages old techniques used by skilled artisans.”

Guilford Plumbing has a strong commitment to those in the design, construction and plumbing industries. “We’re proud to supply the trade with quality products at affordable prices,” Ed asserts. “Each item we provide is something I wouldn’t hesitate to put in my own home.” He notes that the company is equally committed to meeting the aesthetic and functional needs of homeowners. “Every one of their homes is unique to their specific tastes, and it is fun and very rewarding to help them achieve their overall vision.”

Guilford Plumbing’s emphasis on quality and authenticity has Ed particularly excited about Native Trails. Knowing Naomi personally, he explains a bit about where her inspiration comes from. “Her stepfather was from Mexico,” he notes. “She would travel the countryside with him in search of unique artisans. When she found someone really talented she would incorporate their work into Native Trails, and give them an opportunity to grow their business and become successful. She really is focused on giving back to that community.”

One of the line’s most distinctive signature pieces is the hammered copper farmhouse sink, which is crafted from raw, unfinished copper that’s meant to patina over time. The most incredible thing about it is its detailed craftsmanship – it’s hand-hammered using more than 30,000 strokes. Another exceptional and eye-catching piece is the barrel sink. “These sinks are made from actual wine barrels that have been cut down and reassembled to achieve the right fit,” Ed affirms. “They make a great accent for a powder room, and are perfect as bar sinks.”

In some ways, Native Trails is as much about innovation as it is about preserving the past. They have developed NativeStone™, a material crafted from jute and cement that’s used for sinks. “It’s really beautiful, surprisingly lightweight, very durable, and extremely stain resistant,” remarks Ed. “It also comes in several different colors.”

The superior quality, high level of craftsmanship, and respect for materials Native Trails offers is something that Ed really stands behind. “I love that these are truly custom products that come from artisans,” he notes. “They seamlessly incorporate artistry and craftsmanship with innovation. They’re made from materials like recycled copper and wood, so they’re sustainable. And they represent the values that all of us need to have if we want to make an impact in our community, both locally and globally – doing the right thing with materials, borrowing ideas and innovations from other cultures, and making world trade work.”

1980′s Kitchen Takes Center Stage In 2014

August 15, 2014

I love a great “Before and After” of a kitchen – especially when it allows us to see how far it has come. Today’s guest blog comes to us from Winston-Salem kitchen and bath design firm, Cabinet Studio. Creating a gracious and inviting space from this dated 1980’s space posed many challenges but Michael Dugas shares with North Carolina Design how he and the team at Cabinet Studio proved that they were up for the task.

Bringing this kitchen into the 21st century meant creating a space that not only looked beautiful but also functioned well. What may have been considered a layout that was acceptable in decades past did not work well with the clients’ current needs. It also showed how important an overall design plan is in terms of realizing the most enjoyment and use from the space.

The original layout presented several issues and challenges. A peninsula that cut the kitchen off from the rest of the room and the pantry was inconveniently located at the end of the room. While the laundry room had no storage, the ½ bath was a large waste of space. The kitchen also had two side by side door openings – one that entered into the dining room and the other which opened to the hallway – too many entry points. The final challenge was a cramped eat-in area, with an exterior door that did not function well for the room, and a bay window that didn’t allow a lot of light into the room.

The new layout called for not only removing the pantry but also the doorway leading into the dining room. Enhancing space and aesthetics, the new laundry room area was designed with a pocket entry from the kitchen. A large pantry was added to the laundry room, with ample storage provided by wall and base cabinets. By decreasing the size of the half bath, a serving area/wine bar was added outside of the dining room.

Moving all of the walls allowed for a large island to be added where the client and family could enjoy each other while cooking/baking with the grandchildren. We gained a lot of storage by extending the upper wall cabinets to the ceiling.

We squared the bay window area and added new doors and windows to allow for more light to enter the room. The addition of a display case for pottery and artwork created greater added another element and created greater interest in the space.

Images Courtesy of Cabinet Studio ©

The end result is a kitchen that not only functions well, it encourages all who enter to spend time there.

Beauty Punctuated By Green Practices In Charlotte Landscape

July 25, 2014

When Jenny Pippin of Pippin Home Designs took on the task of completely redesigning her own home, the results were bold, unique and truly beautiful. However, the remodel left her with a landscape in desperate need of repair and renovation. She knew just who to call – longtime friend and Charlotte area landscape designer Jan Enright of Jan Enright Creations. The two had worked together on many projects, and Jenny knew that Jan was certainly up for the challenge. North Carolina Design talked to Jan to get her take on the project and some of the finer points of this successful design.

Images Courtesy of Jan Enright Creations and Artist Eye Photography ©

Two big challenges awaited Jan when she began. The first was the fact that the site had been completely upended by the home renovation. “Jenny warned me that it was going to be bad. But when I got there, I was shocked. I thought, ‘This just looks horrendous. How am I going to do this?’”

The second and most significant challenge was designing a landscape that would fit into the steeply sloped site. “I had to figure out a way to work with the land’s steep grading, and figure out what to do with the existing retaining walls. I was able to break the slope into sections of plantings and create layers in the terrain to establish a cohesive look.”

As a designer, Jenny had some very specific ideas for her landscape. “She wanted an Asian flair,” Jan recalls. “I used some feng shui principles and incorporated some Asian-inspired plantings. And when you look at aerial photos of the landscape, the major bed in the front is actually in a yin-yang shape.”

Jenny is passionate about using green building practices – a fact which Jan took to heart. “Jenny specifically wanted the landscape to feature as many green concepts as possible,” Jan affirms. “We went with easy-to-maintain plants, and took care to plant them in the right places so that they would grow without stress and wouldn’t need high amounts of fertilizer, water and care.

“We set up a system so that rainwater from the roof is collected into cisterns and used for irrigation,” she continues. “We also managed the amount of turf on the property, as turf takes lots of fertilizer and water. Jenny did need a lawn for her dogs, but we used indigenous Bermuda grass, which requires very little water.”

Jan was careful to add little touches that truly reflected Jenny’s personality. “I wanted the landscape bring her a lot of joy, and things to look forward to,” she explains. “Jenny loves purple. We added a purple butterfly bush for some summer color, and capillaris grass for a smoky purple haze in fall. We also designed a pond with waterfalls, big boulders and lots of fish and frogs. It gets frequent visits from dragonflies, which are one of her favorite symbols.”

While the project was daunting, Jan thoroughly enjoyed it. “Understanding Jenny’s needs was really easy, because I know her so well and we’ve collaborated on so many projects together. However, the design itself was a real challenge. In the end, that’s what I actually loved about the project — there was so much to overcome and so many different criteria needed to be met in this one space. But I did it, and I did it with love – and it was a success.”

Using A Variety of Patterns And Colors, Asheville Artist Creates Order, Adding Beauty And Interest To A Space

July 21, 2014

Art does far more than dress up a wall; it adds beauty, complexity and dimension to a home’s design. Art is also far more than a simple arrangement of forms and colors – it’s a window into the artist’s inner world, and an attempt to capture, define and share a feeling or moment in time with the viewer.

One Is Another Mixed Media On Canvas 48 x 48
Images Courtesy of Kotara Studio ©

The works of Asheville artist Kenn Kotara, owner of Kotara Studio, exemplify the drama, beauty and energy an expertly crafted work can convey. Playing with the dualities of chaos and peace, white space and color, and simplicity and complexity, he creates intriguing and beautiful pieces that increasingly grace the homes and offices of many discerning North Carolina art lovers. North Carolina Design talked to Kenn to learn more about his work, and what drives his unique creative vision.

Sinopia Mixed Media On Canvas 36 x 60

Kenn begins each canvas and paper work with a grid, which he layers with meandering, curvilinear lines in a variety of patterns and colors. While his pieces are decidedly modern and abstract, the underlying grid gives them a sense of order and a soothing, meditative quality that adds beauty and interest to a space.

Kisatchie Mixed Media On Canvas 60 x 36

“My work is really my attempt to understand this modern world, which is bombarded by an overload of information and driven by abstractions and chaos,” Kenn explains. “For me, it’s about making sense of the chaos and attempting to simplify it. I use the repetition of curved lines and simple shapes like circles to provide an element that’s relatable and soothing to the eye.”

Acadiana Mixed Media On Canvas 72 x 96

Kenn creates everything from sculptures, to canvas paintings, to installations, and he is always open to any media. “When you break it down, whether it’s paint or oils or pastels, every medium is basically a form of rock and water,” he muses. “It’s just a matter of picking and choosing, and attempting to exploit each medium to its best advantage. Everything is fair game. I’ve even used coffee and food items — anything that can color a substrate is intriguing to me.”

Winter Here Again Is Not My Choice Charcoal & Pastel On Paper 42 x 42

Kenn’s open attitude toward his work extends to his color choices. “As Dale Chihuly said, ‘I never met a color I didn’t like,’” he quips. “I find that each work drives itself, and the colors will depend on what’s happening within the framework of each art piece, whether it needs a high-value contrast or something very subdued. I also go through phases where I might use subdued colors for days or weeks or months, then suddenly find it’s time to use something that jumps off the canvas.”

Treasure Hunt Pastel On Paper 42 x 42

Kenn is intensely creative, and he finds inspiration in many places. “I might come across a newspaper clipping, or see an intriguing shape that triggers an idea,” he reflects. “I am always mentally storing and cataloging new information, and every once in a while a piece just pops out from the gray matter in my brain. I also maintain sketchbooks cataloging my thoughts. As I look through them, I might catch something that didn’t surface two years earlier that I can now expand and extrapolate from.”

A Love That Lasts: Tips For Designing And Building A Home That Fits Your Current And Future Needs

July 18, 2014

It’s easy to get swept off your feet by a charming and beautiful home, and to fall in love at first sight. But if you plan to live in the home for years to come, it’s important that your love is more than a fleeting fancy. Designing a home that will stay functional, beautiful and relevant is a tall order, but Houck Residential Designers, an award-winning Winston-Salem residential design firm is up to the challenge. As a firm that has designed  its share of exceptional custom homes, vice president and residential designer Barry Wilson explained to North Carolina Design how they ensure that homeowners don’t suffer from “builder’s remorse.”

Images Courtesy of Houck Residential Designers ©

Barry notes that homeowners must set priorities in order to ensure that their home truly meets their needs. “If you don’t know what your priorities are, we know how to ask the right questions. What rooms do you need? Do you want formal spaces? Do you need a big pantry? Do you want a getaway space all for yourself? Do you want all the rooms to be on the same level?”

For a house to accommodate a homeowner’s changing needs, priorities need to be set not just for now, but for the duration. “It’s important to stay flexible and think long term about the spaces in your home,” Barry stresses. “For example, a lot of people design around their kids, and that’s fine. But kids aren’t going to be five or ten years old for the rest of their lives. You won’t need a playroom forever. You have to think about what you will do with that room in the future.”

Thinking long term also affects the type of investment homeowners should make in their home. “Maybe you’re a 48-year-old with a job that makes you move around a lot, and you only plan to live in the house for 10 years. Or maybe you will be there until you retire, then you’ll move to the beach. Or maybe you’re going to live there for the rest of your life. You have to build to your appropriate time period.”

“If you plan to sell your home in the near future, you’re going to want to invest in something someone in your position now is going to want to buy. If you plan to stay long term, you have to invest more in your own priorities, and think of how to build in flexibility so that it will satisfy you now and later on as you age – keeping in mind that you shouldn’t make choices that are too taste-specific or inappropriate for the neighborhood, in case you do need to sell it.”

An enduring aesthetic is also important to a home’s design, but Barry concedes that it’s a bit more challenging to plan for than practical needs. “It’s hard to design for a projected preference later on. Who knows what people are going to want to see in a home in the future? As a designer, you have to go with what appeals to the homeowners now, while corralling them toward something you know will last.”

“Lasting design is proportionally correct and aesthetically pleasing,” Barry notes. “If it looks good now it will look good later; good design is good design. There are always ways to update the home’s look in the future.”

Charlotte Architect Explains How Collaboration On All Fronts Results In a Home That Offers Lasting Beauty

July 14, 2014

Building a home is a process with a thousand moving parts, and a successful project requires both a rock-solid plan and great teamwork. Don Duffy, owner of Don Duffy Architecture in Charlotte, knows a great deal about both. While Don is one of Charlotte’s most highly skilled and respected architects, he is also nothing if not humble – readily crediting teamwork for his many successes. He recently sat down with North Carolina Design to talk about the importance of collaboration, explaining how and why it brings so much satisfaction in his work.

Images Courtesy of Don Duffy Architecture ©

To Don, meaningful collaboration with clients is one of the most important aspects of designing a home. “In my view, we are servants, and we come to the job with that in mind,” he explains. “I do not think that I know what is best for our clients. In fact, we do our best work when our clients act as coaches.

“Some clients are good coaches, who are organized and know what they want, and can guide the process smoothly along. Some of them just need a sounding board so they can exercise their own creative side. And some of them need us to help them draw out and articulate their vision. There is nothing more enjoyable then developing a client’s idea for how they want to live.”

A lot of work goes into thoroughly deciphering a client’s unique perspectives. “Understanding our clients’ needs doesn’t happen in a single meeting,” Don notes. “It happens over many, many meetings – after spending a lot of time chit-chatting about the project. When clients say that they want something ‘traditional,’ ‘modern,’ ‘not too big,’ or ‘not too fancy,’ we always ask them to use adjectives to explain what they mean. Those concepts mean different things to different people, and we have to redefine them in the client’s terms.”

Don also highly values the collaboration of the team of craftsmen and builders that bring his designs to life. “The building process is very much communal, and involves many people who have solid ideas,” he affirms. “It’s the artistry of the entire team that will make the home even better than the original drawings. There is so much joy in the pride the trade partners bring to the project. You know you have hit a home run when the construction team brings their families to the job site to show them what they have created.”

While he loves the collaborative process, Don also gets a great deal of personal satisfaction from each project. “I love the sensory experience of it all, and seeing the project come together,” he explains. “When you’re working in a rural area, for example, you’re surrounded by the smell of the woods and the sounds of the forest, and you have the sense that you are building something amazing from nothing. It’s impressive to go from a piece of dirt or forested piece of land to a finished home.”

In the end, Don’s real crowning achievement comes from making his clients’ visions a reality. “The biggest joy in a project is in the client’s enjoyment of the home,” he concedes. “There is nothing better than hearing a client say that they knew the result would be good, but they had no idea that it could be this good.”

Courtesy Photo Credits Provided By Don Duffy:
Photos 1,7 and 8 – Bruce Clodfelter Landscape Architect
Photo 4 – Sheryl Vandermolen Interiors
Photo 9 – Stephen Young, Think Still Photography
Photo 9 – Circa Interiors
Photo 10 – Photography by Charlotte Virtual Home Tours, Cal Mitchner

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